The Complete List of OldRoll Cameras and Film Looks
OldRoll’s camera library currently includes more than a dozen named cameras and film looks, ranging from rangefinder-inspired presets to disposable-camera simulations, instant-photo styles, and video-only modes — with several more (half-frame, fisheye, double-exposure) listed as upcoming additions. This is a running reference to what each camera actually does, grouped by the kind of look it’s built to recreate, so you can pick the right one instead of guessing from a thumbnail. Whether you’re choosing a preset for a specific subject, trying to remember the difference between two similarly named cameras, or just curious how many options the app actually offers, the breakdown below covers every currently listed camera along with the ones still in development.
Quick Reference Table
| Camera | Style | Best for |
|---|---|---|
| Classic M | Rangefinder-inspired | Clean, timeless street photography |
| INS P | Instant-photo | Warm, faded tones with a square frame |
| TOY F | Disposable camera | Grainy, unpredictable flash, late-90s feel |
| ROL 3.5 | Lo-fi vintage | Soft, muted color casts |
| 120 V | Retro film | Medium-format style color rendering |
| TOY K | Disposable camera | A second disposable variant with its own grain/flash profile |
| Kira | Sparkle/glitter effect | Playful, decorative overlays |
| Pix | Retro game-style | Pixelated, arcade-inspired shooting |
| Booth Cam | 4-grid portrait | Photo-booth style strips |
| OPS | Premium texture | Heavier grain and texture overlays |
| LOG | HD presets | Cleaner, higher-fidelity looks with less degradation |
| Pixel Art Film | Pixel-art filter | Stylized, low-resolution digital-art look |
| Parallax Film | Motion/depth effect | Layered depth effect on stills |
Rangefinder and Retro-Photo Styles
The Classic M camera is OldRoll’s rangefinder-inspired preset — it aims for a cleaner, more timeless look than the app’s grainier disposable modes, closer to what you’d expect from a well-loved 35mm rangefinder body. It’s the preset most reviewers point new users toward first because it’s the most versatile: subtle enough for portraits, structured enough for street photography.
The 120 V preset leans into a different retro reference point, echoing the color rendering associated with medium-format roll film. Where Classic M keeps things restrained, 120 V pushes color casts a bit further, giving images a heavier “shot on film” feel without going as far as the disposable-camera presets below.
Instant-Photo Style
INS P recreates the warm, slightly faded tones and near-square frame associated with instant film. It’s built for the kind of casual, of-the-moment photography instant cameras were originally designed for — a quick portrait, a plate of food, a candid group shot — and tends to look best on subjects that already have some natural warmth (skin tones, wood, golden-hour light) rather than cool, high-contrast scenes.
Disposable Camera Presets
OldRoll ships two distinct disposable-camera presets, TOY F and TOY K, both aimed at recreating the specific texture of a cheap point-and-shoot film camera from the late 1990s: stronger grain, unpredictable flash behavior, and (optionally) date stamps. They’re not identical — each has its own grain and flash profile — so it’s worth testing a few shots with both if this is the look you’re after, rather than assuming they’re interchangeable. This is also the category most associated with OldRoll’s date-stamp feature, since disposable cameras from that era commonly burned a timestamp into the corner of every frame.
Lo-Fi and Toy-Camera Styles
ROL 3.5 sits in the lo-fi vintage category, favoring soft, muted color casts over the sharper grain of the disposable presets. Toy-camera-style processing more broadly (a category OldRoll’s marketing groups ROL 3.5 into) tends to soften focus toward the edges of the frame and shift colors toward dreamier, less saturated tones — the opposite instinct from a crisp, corrected digital photo.
Specialty and Decorative Presets
A handful of OldRoll’s cameras are built less around recreating a specific film stock and more around a decorative or playful effect. Kira adds a sparkle/glitter overlay for a more decorative, less strictly “vintage” result. Pix goes further in the opposite direction of realism, applying a retro, pixelated, arcade-game-style treatment rather than a film simulation at all. Booth Cam recreates the four-photo grid strip of a classic photo booth, useful for group shots or sequential portraits you want presented as a single strip rather than four separate images. Pixel Art Film and Parallax Film round out this category — the former applying a stylized low-resolution digital-art look, the latter adding a layered depth effect to still images.
Premium Texture and HD Presets
OPS is positioned as a premium-texture camera, applying heavier grain and texture overlays than the standard disposable presets — a good option if TOY F or TOY K feel too clean for what you’re going for. LOG sits at the opposite end of the spectrum: an HD-oriented preset that keeps images cleaner and less degraded, for users who want the color character of a film preset without heavy grain obscuring detail.
Video-Specific Modes
OldRoll also includes effects built specifically for video rather than stills, most notably a Super 8mm-style mode that reproduces the flickering exposure and grain typical of home-movie footage, plus a separate VHS-style filter for a distinct analog-video texture. These are worth calling out separately because applying a stills-oriented preset to video footage generally won’t reproduce the same effect — the video modes are built around motion artifacts (flicker, tape noise) that don’t exist in a single frame.
Cameras Marked as Upcoming
As of this writing, OldRoll’s own app listing describes several additional cameras as upcoming rather than currently available: a half-frame camera mode, a fisheye camera that distorts frame edges for an exaggerated wide-angle look, a double-exposure camera for blending two frames into one image, and a photo-collage mode called Quatre. Release timing for these hasn’t been confirmed publicly, so treat them as planned rather than guaranteed, and check the app’s current camera list before assuming any of them have shipped.
Choosing a Camera by Subject
Because OldRoll’s cameras vary so much in grain, color cast, and frame shape, the fastest way to narrow the list is to start from what you’re actually shooting rather than browsing thumbnails in order.
Portraits and selfies: Classic M and INS P are the two most forgiving choices for faces — Classic M keeps skin tones relatively natural while still adding character, and INS P’s warm cast flatters most skin tones without pushing contrast so hard that fine detail gets lost. TOY F and TOY K can work for portraits too, but the heavier grain and flash unpredictability read as more “candid snapshot” than “flattering portrait,” so they’re a better fit for casual group shots than posed close-ups.
Landscapes and architecture: 120 V’s medium-format-inspired color rendering tends to hold up well across wide scenes with varied lighting, and LOG’s cleaner, less-degraded look is worth trying when you want the color character of a film preset without grain obscuring distant detail. Fisheye (once released) will be the obvious pick for exaggerated wide-angle architecture and landscape shots.
Food and product shots: INS P’s warm, instant-photo tone generally suits food photography well, echoing the aesthetic of a Polaroid shot at a restaurant table. ROL 3.5’s muted, softened color can also work for a more understated, editorial look.
Group shots and events: Booth Cam’s four-grid strip format is purpose-built for groups and events — it’s the one camera in the library designed around a specific composition (four sequential frames) rather than a single-shot look, so it’s worth reaching for deliberately rather than defaulting to it out of habit.
Low light and night photography: OldRoll’s flash feature is most associated with the disposable-camera presets (TOY F, TOY K), which are also the presets built to simulate the unpredictable flash behavior of real disposable cameras in dim conditions. If you want a cleaner low-light result, LOG’s HD-oriented processing is likely to preserve more shadow detail than the grainier disposable presets.
Video content: the Super 8mm-style mode and the VHS-style filter are the two effects actually built for motion rather than stills, so they should be the default choice for video rather than applying a stills preset and hoping it translates.
How the Camera List Has Grown
OldRoll’s own app description explicitly separates its currently available cameras from a set of upcoming additions, which is a useful signal about how the developer treats this list — not as a fixed, one-time release, but as a library that keeps expanding. Half-frame, fisheye, double-exposure, and the Quatre collage mode were all listed as upcoming as of this writing, meaning the total camera count is likely to be higher by the time you’re reading this than it was when this article was researched. If you’re relying on this list for a specific camera name and can’t find it in your version of the app, checking for an app update before assuming the camera doesn’t exist is worth doing first.
This also means a “complete” list of OldRoll cameras is really a snapshot rather than a permanent inventory — useful as a reference for understanding the range of styles on offer, but worth rechecking against the in-app camera picker periodically if you’re trying to track every release.
Fine-Tuning a Camera After You Pick It
Picking a camera preset is only the first step — OldRoll layers additional controls on top of each one that can meaningfully change the final result. The app includes HSL and curve-based beauty adjustment tools, so a camera like INS P or Classic M can be nudged warmer or cooler after the fact rather than accepted exactly as the preset renders it. Date-stamp watermarks are editable, meaning you can turn them on for a disposable-camera preset like TOY F to reinforce the late-90s feel, or turn them off entirely if you want the grain and color cast without the timestamp. Custom presets can also be saved and shared via QR code, which is useful if you land on a specific combination of camera, date-stamp style, and beauty adjustments that you want to reuse or share with someone else rather than rebuilding it manually each time.
Effects like light leaks, film3D, and the app’s “1888/1998” style options are generally described as layerable on top of a base camera choice rather than being separate cameras themselves — so part of getting a specific look right is treating the camera as your starting point and these effects as the finishing pass, rather than expecting one preset alone to produce a fully art-directed result.
Frequently Confused Camera Names
A few names in OldRoll’s library are easy to mix up if you’re going from memory rather than the in-app picker. TOY F and TOY K are the most common mix-up, since both are disposable-camera presets with similar naming — the distinction is in their individual grain and flash profiles rather than their category. OPS and LOG are sometimes confused because both are positioned as more polished options relative to the grainier disposable and toy-camera presets, but they sit at opposite ends of that spectrum: OPS adds heavier texture, while LOG is the cleaner, HD-oriented option. Pixel Art Film and Pix are also easy to conflate since both reference retro digital aesthetics rather than film photography, but Pix is framed around a retro-game, arcade-style shooting experience while Pixel Art Film applies a stylized low-resolution filter to an otherwise normal photo.
Common Mistakes When Choosing a Camera
- Assuming every preset works the same on photos and video. Some effects (like the Super 8mm and VHS modes) are built specifically for video and won’t look the same, or may not be available at all, applied to a still photo.
- Treating TOY F and TOY K as interchangeable. Both are disposable-camera presets, but each has its own grain and flash characteristics — test both before settling on one as your default.
- Expecting an “upcoming” camera to already be in the app. Half-frame, fisheye, double-exposure, and Quatre were listed as upcoming as of this writing; if you can’t find one in your app, it may simply not be released yet.
Frequently Asked Questions
How many cameras does OldRoll have?
OldRoll currently lists more than a dozen named cameras and film looks in its app description, spanning rangefinder, instant, disposable, lo-fi, and specialty styles, with several additional cameras (half-frame, fisheye, double-exposure) listed as upcoming.
Which OldRoll camera is closest to a real disposable camera?
TOY F and TOY K are OldRoll’s two disposable-camera presets, both designed around the grain, flash unpredictability, and date-stamp look associated with late-1990s point-and-shoot disposables.
Do I need the subscription to use all these cameras?
OldRoll’s paid subscription unlocks its full camera library at once; some cameras are available to free users, but the complete named list above generally requires an active subscription to use without restriction.
Are new cameras added to OldRoll over time?
Yes — OldRoll’s own listing shows several cameras marked as upcoming rather than shipped, which indicates the developer continues to expand the library, so this list may grow after this article is published.
Which OldRoll camera should a total beginner start with?
Classic M is generally the most forgiving starting point — it produces a clean, rangefinder-inspired look that works across most subjects without the heavier grain or unpredictable flash of the disposable-camera presets, so it’s a good way to learn how OldRoll’s editing tools (date stamp, beauty adjustments, light leaks) interact with a camera before moving on to more character-heavy, higher-grain presets like TOY F or OPS once you’re comfortable with the basics.
Can I combine effects like light leaks or film3D with any camera?
Based on how OldRoll structures its interface, effects such as light leaks, film3D, and grain overlays are generally applied as a layer on top of a chosen camera rather than being tied to one specific preset, which means most combinations are worth experimenting with rather than assuming only one “correct” pairing exists.
Does OldRoll ever remove cameras from the library?
There’s no public indication that OldRoll has removed previously released cameras from its library; the pattern shown in its own app listing is additive, with new cameras marked as upcoming rather than replacing existing ones, though app updates can still change specific settings or default values within a given camera preset over time.
Keeping This List Up to Date
Because OldRoll treats its camera library as an evolving product rather than a fixed one, the most reliable way to confirm what’s currently available is to open the app’s camera picker directly and scroll through it, rather than relying solely on marketing copy or an older screenshot circulating online. When a camera is genuinely new, it typically shows up first in the app’s own release notes or update description before it’s widely written about elsewhere, so checking the app’s update history on the App Store or Google Play listing is a reasonable way to confirm whether a camera you’ve heard about (like the half-frame or fisheye modes) has actually shipped yet. This article will be revisited as those upcoming cameras move from planned to released, but treating any third-party list — including this one — as a snapshot rather than a permanent inventory is the safest approach.
Related Reading
For a shorter, opinion-based take on which cameras to start with, see our guide to the best OldRoll cameras, or unlock the full library with our guide to OldRoll Premium.
